Serious Men

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Serious Men

02 Oct, 2020
Hindi
1 hr 54 mins
Comedy Drama
Streaming on: Netflix
3.5/5
Critic's Rating
0/5
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Serious Men

Synopsis

The serious men of our society are the laughing stock in ‘Serious Men’ and though the film reasonably manages to bring to light the conflict between the elite and the easily disposable, it fails to conclude what could have been an excellent social dialogue on a high note.
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Cast & Crew

Serious Men Review : An interesting observation on the distinction between haves and have-nots

Critic's Rating: 3.5/5
STORY: Hailing from a Dalit family, Ayyan Mani (Nawazuddin Siddiqui) wants his only son Adi (Aakshath Das) to have what he didn’t – a life of privilege, opportunities and respect from all strata of society. Upon realising Adi is a child prodigy, Mani starts cashing in on his newfound fame. But is a child this young ready for all that mic-thrusting, caste-based speeches and a scam that his father’s been running? Through this adaptation, director Sudhir Mishra delves into the age-old class distinction prevalent within Indian society. And the themes of haves and have-nots add the quintessential human drama to this relevant piece of cinema.

REVIEW: For as long as he can remember, Korathi-born and Mumbai-bred Ayyan Mani has always been haunted by the story of how his grandfather died in a running train – someone whispered in his ears that he had accidentally boarded the first-class compartment meant only for Brahmins. Sure, Mani is street smart and it is his strong survival instincts that help him climb up the professional ladder: he is the personal assistant to man-of-science Dr. Acharya (Nassar) at the National Institute of Fundamental Research. But being born into a poor farming family in a remote hamlet in Tamil Nadu has its own ramifications – Mani likes his beer ‘not extremely chilled, not warm’ and is obsessed with a life of dough and dignity for his aankhon-ka-tara Adi. Call it sheer luck or a classic case of rags-to-riches at play, Adi turns out to be a genius who has complex chemical formulae at the tip of his tongue. Also, Mani is running a scam on the side while the nation is revelling in the birth of a genius (they call him chota Einstein at one point). If political leaders are willing to pull the family out of its two-by-two kholi among other generosities, then why the con? Based on Manu Joseph’s book by the same name, director Sudhir Mishra’s ‘Serious Men’ is a satire on the stark contrast (or the lack of it) between the rich and educated and the poor and naïve with slight deviation from its original story.

The opening sequence leads us to an unnamed, dingy and poorly-lit chawl in Mumbai with Mani Senior deciphering life with this uninhibited line – “…zindagi bhi aisi hai, complex! Aadmi bematlab hi paida hota hain, marta bhi bematlab hi hai” – and what ensues thereon is absolute madness, coupled with unabashed greed and, of course, nonchalant scheming and scamming. The trope is all too familiar: a man from a marginalised household is hardened by life and all the curveballs he has dodged so far and wants his son to have a better shot at it; we get that. But what sets Sudhir Mishra’s ‘Serious Men’ apart is the way the story is laid out – so out-there and yet so subtle. Other than the atrocities faced by the Dalit community in India, the narrative also brushes its shoulders with the prevalence of ‘pleas’ to embrace Christianity for a better life and the caste card that’s often played within the subjugated communities. It is bold and ironic but no one’s taking any offence because Mishra has inculcated this subtext with the foil of sarcasm wrapped around it. Besides, Nawazuddin Siddiqui has sprinkled Nawazuddin Siddiqui-ness all over the script and the actor sure knows just how to navigate the tricky lanes without rubbing anyone the wrong way. Speaking of which, the lungi-donning actor in this social commentary gets into the skin of Mani as if they are long-lost brothers. While the dialogues maybe easily forgotten, his expressions in the meltdown scenes are a testament to his acting prowess. The child genius Adi aka Aakshath Das is a cocky young man sharing the ultimate secret with his father and, even at such a tender age, he walks shoulder to shoulder with Siddiqui and their twisted accord is palpable. The duo may have lowered the scale of their moral compass but not the God-fearing Indira Tiwari’s Oja; she sort of balances the borderline megalomania out that the other two latch on to. Shweta Basu Prasad’s Anuja is the poster child of oppression (with a crippled leg, burnt marks and a Carnegie Mellon degree) in this dramedy but her role remains under defined and it is criminal not to use a fine actor to her complete potential. The characters essayed by veteran actors Nassar and Sanjay Narvekar (as the local politician and Anuja’s father) do not have much to do in the film other than safeguard their own selfish interests, which they do with aplomb.

Without revealing the twists and turns – all of which are somewhat predictable yet engaging – this movie is packed with surprises and more often than not leaves one scratching their heads (you will know why). Cinematographer Alexander Surkala captures the essence of Mumbai and its dark alleys and juxtaposes the high-rises against the slums at periodic intervals; thank goodness for that! Karel Antonín’s music has this typical deep, artsy ring to it that could never go wrong with a film trying to highlight the biggest ironies of life but towards the end, both the script and its background score tend to derail: dramatic and distracting.

The serious men of our society are the laughing stock in ‘Serious Men’ and though the film reasonably manages to bring to light the conflict between the elite and the easily disposable, it fails to conclude what could have been an excellent social dialogue on a high note. Guess Mishra took too much credence of Siddiqui’s rant on respect, “Public jisko samajhti nahin hain, usko salaam thokti hain; respect karti hain.”

In-depth Analysis

Our overall critic’s rating is not an average of the sub scores below.

Direction
3.5/5
Dialogues:
3.0/5
Screenplay:
3.0/5
Music:
3.0/5
Visual appeal:
3.5/5

Users' Reviews

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Saswati 637147 days ago

Nawajuddin is a great actor. Akshat has also done a good job. Overall good story. How dalits are treated in our country, to some extent that has shown here. But they are not cheat. This part is not acceptable.

SUBRATA 871450 days ago

Aakshath Das as ADI is really a GOOD ACTOR with perfect support by Nawajuddin Siddiqui-- their depiction of greed, truth perfect--FINISHING BEST.

zim singh1356 days ago

mind blowing film Lydian Nadashwaram you are true prodigy

Sherry Sane1456 days ago

what a lovely film...seen after long time ...this is the one content you can watch with your entire family and frds

THE LOLS CLUB2456 days ago

yeah it is masterpiece ....my whole family loved it ...kid's inspired mom with tears in her eyes at the end...beautiful versatile song never heard in one film so much details ...outstanding

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